Flavia Pappacena, The Language of Classical Ballet. Guide to the Interpretation of Iconographic Sources, Roma: Gremese, 2012, 238 pp., with copious illustrations (polychrome and monochrome), np. ISBN 9788873017561 (pbk).

By McGowan Margaret M.  

Dance Research, Vol. 31, Iss. 2, 2013-11 ,pp. : 213-214

Edinburgh University Press

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The Cambridge Companion to Ballet, edited by Marion Kant, Cambridge University Press, 2007, pp. i–xli, 1–353. ISBN 9780521439869, £15.99, paperback.

By McGowan Margaret M.  

Dance Research, Vol. 26, Iss. 1, 2008-04 ,pp. : 61-63

Edinburgh University Press

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John E. Bowlt, Nina Lobanov-Rostovsky, Nikita D. Lobanov-Rostovsky and Olga Shaumyan, Masterpieces of Russian Stage Design, 1880–1930, vol. I, Woolbridge, Suffolk: The Antique Collectors’ Club, 2012, 424 pp. with 243 colour and 14 black and white illustrations. £49.50. ISBN 9781851496884.

By Pritchard Jane  

Dance Research, Vol. 31, Iss. 1, 2013-05 ,pp. : 99-101

Edinburgh University Press

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Marcia B. Siegel, Mirrors and Scrims: The Life and Afterlife of Ballet, Middletown, CT: Wesleyan University Press, 2010, xiv + 398 pp., with 27 monochrome illustrations. $85.00 and $27.95. ISBN 9780819568755 (pbk) and 9780819569264 (hbk).

By Clement Crisp  

Dance Research, Vol. 30, Iss. 2, 2012-11 ,pp. : 209-212

Edinburgh University Press

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Dee Reynolds, Rhythmic Subjects. Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham, Dance Books: Alton, Hants, 2007, viii+316pp., 16illustrations, np. ISBN: 9-781852-731120.

By Bannerman Henrietta  

Dance Research, Vol. 28, Iss. 1, 2010-05 ,pp. : 123-125

Edinburgh University Press

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