True Images: Metaphor, Metonymy and Montage in Marcel Proust's A la recherche du temps perdu and Jean-Luc Godard's Histoire(s) du cinéma

Author： Heywood Miriam  

Publisher： Edinburgh University Press

ISSN： 1750-0176

Source： Paragraph, Vol.33, Iss.1, 2010-03, pp. : 37-51

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Writing as Reading the Unreadable: A Reconsideration of the Medial Construction of Marcel Proust's Ala Recherche du temps perdu

By Horlacher Stefan  

Paragraph, Vol. 25, Iss. 1, 2002-03 ,pp. : 4-31

Edinburgh University Press

Access to resources Recommend Favorite

World Literature, Littérature-Monde: Which Literature? Whose World?

By Forsdick Charles  

Paragraph, Vol. 33, Iss. 1, 2010-03 ,pp. : 125-143

Edinburgh University Press

Access to resources Recommend Favorite

Kristeva's Stranger Within: The Question of the Foreigner in Daniel Prévost's Le Passé sous silence

By Barclay Fiona  

Paragraph, Vol. 33, Iss. 1, 2010-03 ,pp. : 1-10

Edinburgh University Press

Access to resources Recommend Favorite

How to be Primitive: Tropiques, Surrealism and Ethnography

By Britton Celia  

Paragraph, Vol. 32, Iss. 2, 2009-07 ,pp. : 168-181

Edinburgh University Press

Access to resources Recommend Favorite

Belief in the Body: Philippe Garrel's Le Révélateur and Deleuze

By FFRENCH PATRICK  

Paragraph, Vol. 31, Iss. 2, 2008-07 ,pp. : 159-172

Edinburgh University Press

Access to resources Recommend Favorite