Ealing's Colour Aesthetic: Saraband for Dead Lovers

ISSN： 1755-1714

Source： Journal of British Cinema and Television, Vol.7, Iss.1, 2010-04, pp. : 21-33

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

The Second World War in Colour: The UK History Documentary Boom and Colour Archive

By Sills-Jones Dafydd

Journal of British Cinema and Television, Vol. 7, Iss. 1, 2010-04 ,pp. : 115-130

Edinburgh University Press

Access to resources Recommend Favorite

‘In Blushing Technicolor’: Colour in Blithe Spirit

By Street Sarah

Journal of British Cinema and Television, Vol. 7, Iss. 1, 2010-04 ,pp. : 34-52

Edinburgh University Press

Access to resources Recommend Favorite

Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts (Z.0.0.)

By Costa de Beauregard Rapha

Journal of British Cinema and Television, Vol. 7, Iss. 1, 2010-04 ,pp. : 82-94

Edinburgh University Press

Access to resources Recommend Favorite

Mark Duguid, Lee Freeman, Keith M. Johnston and Melanie Williams (eds), Ealing Revisited (London: British Film Institute, 2012), pp. 304, ISBN 9781844575107 (pb), £18.99.

By Harper Sue

Journal of British Cinema and Television, Vol. 11, Iss. 1, 2014-01 ,pp. : 118-121

Edinburgh University Press

Access to resources Recommend Favorite

Dead Man's Shoes: Revealing the Subtext of the Lost Maternal

By Johnson Beth Andrew Joe

Journal of British Cinema and Television, Vol. 10, Iss. 4, 2013-10 ,pp. : 863-877

Edinburgh University Press

Access to resources Recommend Favorite