Inscriptions of Light and The 'Calligraphy of Decay': Volatile Representation in Bill Morrison's Decasia

Author： Böser Ursula  

Publisher： Rodopi

ISSN： 0921-2515

Source： Avant Garde Critical Studies, Vol.23, Iss.1, 2007-11, pp. : 305-320

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Nightwood and the Limits of Representation

By Jonsson Annkatrin  

Critical Studies, Vol. 26, Iss. 1, 2005-12 ,pp. : 263-280

Rodopi

Access to resources Recommend Favorite

Representation and Reflexivity in Puig's Boquitas Pintadas

By Davies Lloyd Hughes  

Romance Studies, Vol. 13, Iss. 1, 1995-01 ,pp. : 59-68

Maney Publishing

Access to resources Recommend Favorite

Buried perspectives: Narratives of landscape in Toni Morrison’s Song of Solomon

By Terry Jennifer  

Narrative Inquiry, Vol. 17, Iss. 1, 2007-01 ,pp. : 93-118

John Benjamins Publishing Company

Access to resources Recommend Favorite

Visible Differences: Viewing Racial Identity in Toni Morrison's Paradise and "Recitatif"

By Nicol Kathryn  

Rodopi Perspectives on Modern Literature, Vol. 27, Iss. 1, 2002-04 ,pp. : 209-231

Rodopi

Access to resources Recommend Favorite

Epitaphic Representation in Dickens's Our Mutual Friend

By Zigarovich Jolene  

Dickens Studies Annual: Essays on Victorian Fiction, Vol. 43, Iss. 1, 2012-06 ,pp. : 141-167

American Mathematical Society

Access to resources Recommend Favorite