Beckett's Posthuman: The Ontopology of The Unnamable

By Effinger Elizabeth  

Samuel Beckett Today/Aujourd'hui, Vol. 23, Iss. 1, 2012-08 ,pp. : 369-381

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The good, the bad, and the mixed: review of The Tempest (directed by Jeremy Herrin), A Midsummer's Night's Dream (directed by Dominic Dromgoole) and Macbeth (directed by Eve Best) at Shakespeare's Globe, London, 2 May, 30 May and 7 July 2013

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Shakespeare, Vol. 10, Iss. 2, 2014-04 ,pp. : 201-206

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Allegories of Clarity and Obscurity: Bunyan's The Pilgrim's Progress and Beckett's Molloy

By Campbell Julie  

Samuel Beckett Today/Aujourd'hui, Vol. 24, Iss. 1, 2012-12 ,pp. : 89-103

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From Ideology of Loss to Aesthetics of Absence: The Endgame in Beckett's The Lost Ones

By Yuan Yuan  

European Joyce Studies, Vol. 16, Iss. 1, 2005-11 ,pp. : 235-246

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Samuel Beckett's The Unnamable : The Story of That Impossible Place Named Silence

By Nojoumian Amir Ali  

Samuel Beckett Today/Aujourd'hui, Vol. 14, Iss. 1, 2004-09 ,pp. : 387-404

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