Trapped Bugs, Rotten Fruits and Faked Collages: Amadeo Souza Cardoso's Troublesome Modernism

ISSN： 0023-3609

Source： Konsthistorisk Tidskrift, Vol.82, Iss.2, 2013-06, pp. : 99-114

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Barrenness and Abjection? : The Iconography of the Wasteland in the Photographs and Collages of Julian Trevelyan, 1937-1938

By Jemison Annette Joy

Visual Resources, Vol. 25, Iss. 3, 2009-09 ,pp. : 169-191

Routledge Ltd

Access to resources Recommend Favorite

Modernism into America

By Haran Barnaby

Oxford Art Journal, Vol. 30, Iss. 2, 2007-06 ,pp. : 334-338

Oxford University Press

Access to resources Recommend Favorite

Robert Motherwell's World War Two Collages: Signifying War as Topical Spectacle in Abstract Expressionist Art

By Gilbert Gregory

Oxford Art Journal, Vol. 27, Iss. 3, 2004-01 ,pp. : 311-337

Oxford University Press

Access to resources Recommend Favorite

The Incomplete, Total Work of Modernism

By Luke Megan R.

Oxford Art Journal, Vol. 35, Iss. 1, 2012-03 ,pp. : 100-103

Oxford University Press

Access to resources Recommend Favorite

De Stijl and Dutch Modernism

By Samuel Flora

Journal of Design History, Vol. 18, Iss. 2, 2005-01 ,pp. : 224-225

Oxford University Press

Access to resources Recommend Favorite