Visible Difference, Audible Difference: Female Singers and Gay Male Fans in Russian Popular Music

Author: Amico Stephen  

Publisher: Routledge Ltd

ISSN: 0300-7766

Source: Popular Music & Society, Vol.32, Iss.3, 2009-07, pp. : 351-370

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Studies of Soviet and post-Soviet popular musics have tended to give scant attention to the variables of gender and sexuality, often positing a tacit and de facto heterosexuality on the part of both performer and audience. In this article, I focus on the dynamic of difference—musical, visual, and discursive—in the musics of three post-Soviet, female singer/musicians (Zhanna Aguzarova, Eva Pol'na, and Zemfira Ramazanova), showing how such difference serves as a locus of attraction for many gay male listeners, and performatively questions hierarchies based on gender and sexuality. In conclusion, I posit the potency of the female voice as a variable that short-circuits the “gaze,” setting up a relationship of mutually salubrious reciprocity between artist and (gay) audience.