After the Opera (and the End of the World), What Now?

ISSN： 0749-4467

Source： Contemporary Music Review, Vol.31, Iss.2-3, 2012-04, pp. : 149-161

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Cone's and Kivy's ‘World of Opera’

Cambridge Opera Journal, Vol. 4, Iss. 1, 1992-03 ,pp. : 61-74

Cambridge University Press

Access to resources Recommend Favorite

Infinite Now by Chaya Czernowin, Vlaamse Opera, Ghent, Belgium

Tempo, Vol. 71, Iss. 282, 2017-10 ,pp. : 81-82

Cambridge University Press

Access to resources Recommend Favorite

So what's new? A survey of the education policies of orchestras and opera companies

British Journal of Music Education, Vol. 13, Iss. 3, 1996-11 ,pp. : 259-270

Cambridge University Press

Access to resources Recommend Favorite

Re-producing Klinghoffer: Opera and Arab Identity before and after 9/11

Journal of the Society for American Music, Vol. 3, Iss. 3, 2009-08 ,pp. : 273-310

Cambridge University Press

Access to resources Recommend Favorite

Now …and then?

By Norderval Kristin

Contemporary Music Review, Vol. 28, Iss. 4-5, 2009-08 ,pp. : 445-448

Routledge Ltd

Access to resources Recommend Favorite