“Here's no design, no plot, nor any ground”: the drama of Margaret Cavendish and the disorderly woman

ISSN： 0969-9082

Source： Women's Writing, Vol.4, Iss.3, 1997-10, pp. : 401-420

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

In dialogue with Thomas Hobbes: Margaret Cavendish's natural philosophy

By Hutton Sarah

Women's Writing, Vol. 4, Iss. 3, 1997-10 ,pp. : 421-432

Routledge Ltd

Access to resources Recommend Favorite

Imperial dreams? Margaret Cavendish and the cult of Elizabeth

By Jowitt Claire

Women's Writing, Vol. 4, Iss. 3, 1997-10 ,pp. : 383-399

Routledge Ltd

Access to resources Recommend Favorite

Self-Crowned Laureatess: Towards a Critical Revaluation of Margaret Cavendish's Prefaces

By Scott-Douglass Amy

Pretexts: literary and cultural studies, Vol. 9, Iss. 1, 2000-07 ,pp. : 27-49

Routledge Ltd

Access to resources Recommend Favorite

Longing for ambrosia: Margaret Cavendish and the torment of a restless mind in poems, and fancies (1653)

By Walker Elaine

Women's Writing, Vol. 4, Iss. 3, 1997-10 ,pp. : 341-351

Routledge Ltd

Access to resources Recommend Favorite

“Bake'd in the Oven of Applause”: The blazon and the body in Margaret Cavendish's Fancies

By Scott-Baumann Elizabeth

Women's Writing, Vol. 15, Iss. 1, 2008-05 ,pp. : 86-106

Routledge Ltd

Access to resources Recommend Favorite