Why Disability Identity Matters: From Dramaturgy to Casting in John Belluso's Pyretown

ISSN： 1046-2937

Source： Text and Performance Quarterly, Vol.28, Iss.1-2, 2008-01, pp. : 225-241

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Why Trilling Matters

By Peters Matthew

The Cambridge Quarterly, Vol. 41, Iss. 3, 2012-09 ,pp. : 378-383

Oxford University Press

Access to resources Recommend Favorite

Afterword: Why Winstanley Still Matters

By Loewenstein David

Prose Studies, Vol. 36, Iss. 1, 2014-01 ,pp. : 90-96

Routledge Ltd

Access to resources Recommend Favorite

“You are yourself”: Calvinist Dramaturgy and its Discontents in The Tragedy of Sir John Van Olden Barnavelt

By Curran John E.

Exemplaria, Vol. 16, Iss. 1, 2004-01 ,pp. : 235-265

Maney Publishing

Access to resources Recommend Favorite

Why the academic left hates identity politics

By Bramen Carrie Tirado

Textual Practice, Vol. 16, Iss. 1, 2002-03 ,pp. : 1-11

Routledge Ltd

Access to resources Recommend Favorite

Space, Time and Identity in "In One Person" by John Irving

The International Journal of Literary Humanities, Vol. 14, Iss. 2, 2016-01 ,pp. : 39-43

Common Ground Publishing

Access to resources Recommend Favorite