Narrative and spectacle in the Hollywood musical: contrasting the choreography of Busby Berkeley and Gene Kelly

ISSN： 1470-1111

Source： Research in Dance Education, Vol.8, Iss.1, 2007-04, pp. : 73-85

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

‘Choreography’ is Narrative: The Programmes of the Eighteenth-Century Ballet d'Action

By NYE EDWARD

Dance Research, Vol. 26, Iss. 1, 2008-04 ,pp. : 42-59

Edinburgh University Press

Access to resources Recommend Favorite

Dialogical Practices in Teaching Choreography

By Lavender Larry

Dance Chronicle, Vol. 32, Iss. 3, 2009-09 ,pp. : 377-411

Routledge Ltd

Access to resources Recommend Favorite

Creating living forms: choreography in Bharatanatyam

By Banerjee Suparna

Research in Dance Education, Vol. 6, Iss. 1-2, 2005-12 ,pp. : 41-52

Routledge Ltd

Access to resources Recommend Favorite

From Improvisation to Choreography: the critical bridge

By Lavender Larry Predock-Linnell Jennifer

Research in Dance Education, Vol. 2, Iss. 2, 2001-12 ,pp. : 195-209

Routledge Ltd

Access to resources Recommend Favorite

Deepening discipline: digital reflection and choreography

By Bannon Fiona Kirk Carole

Research in Dance Education, Vol. 15, Iss. 3, 2014-09 ,pp. : 289-302

Routledge Ltd

Access to resources Recommend Favorite