Author： Rahmatullaeva Sulhiniso
Publisher： Routledge Ltd
ISSN： 0021-0862
Source： Iranian Studies, Vol.47, Iss.6, 2014-11, pp. : 871-901
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Related content
Neo-traditionalism and modern Iranian painting: The Saqqa-khaneh school in the 1960s1
Iranian Studies, Vol. 38, Iss. 4, 2005-12 ,pp. :
Access to resources
Recommend
Forbidden Love, Persianate Style: Re-reading Tales of Iranian Poets and Mughal Patrons
By Sharma Sunil
Iranian Studies, Vol. 42, Iss. 5, 2009-12 ,pp. :
Sixteenth-century Pluscarden priory and its world
The Innes Review, Vol. 58, Iss. 1, 2007-5 ,pp. :
Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955
By Low Morris
Asian Studies Review, Vol. 38, Iss. 4, 2014-10 ,pp. :