Absolute Pitch and the P300 Component of the Event-Related Potential: An Exploration of Variables That May Account for Individual Differences

By Bischoff Renninger Laura   Granot Roni I.   Donchin Emanuel  

Music Perception, Vol. 20, Iss. 4, 2003-06 ,pp. : 357-382

University Of Chicago Press

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Learning the "Special Note": Evidence for a Critical Period for Absolute Pitch Acquisition

By Russo Frank A.   Windell Deborah L.   Cuddy Lola L.  

Music Perception, Vol. 21, Iss. 1, 2003-09 ,pp. : 119-127

University Of Chicago Press

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The Tritone Paradox and Perception of Single Octave Related Complexes

By Ragozzine Frank  

Music Perception, Vol. 19, Iss. 2, 2001-12 ,pp. : 155-168

University Of Chicago Press

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How Jazz Musicians Improvise

By Johnson-Laird P. N.  

Music Perception, Vol. 19, Iss. 3, 2002-05 ,pp. : 415-442

University Of Chicago Press

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Perceptual Dynamics of Circular Pitch

By Giangrand J.   Tuller B.   Kelso J. A. S.  

Music Perception, Vol. 20, Iss. 3, 2003-03 ,pp. : 241-262

University Of Chicago Press

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