The Parting of Burroughs and Kerouac: The French Backstory to the First Beat Novel, from Rimbaud to Poetic Realist Cinema

Author： Lane Véronique  

Publisher： Maney Publishing

ISSN： 1477-5700

Source： Comparative American Studies, Vol.11, Iss.3, 2013-09, pp. : 265-279

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

French Friends, American Allies: Ethnic Dynamics in the Writing of Jack Kerouac

By Jackson M E  

Comparative American Studies, Vol. 11, Iss. 3, 2013-09 ,pp. : 280-289

Maney Publishing

Access to resources Recommend Favorite

Smell and the City: Miasma as a Code of Crisis in Postwar French Cinema

By Terranova Charissa N.  

The Senses and Society, Vol. 2, Iss. 2, 2007-07 ,pp. : 137-153

Bloomsbury Journals (formerly Berg Journals)

Access to resources Recommend Favorite

Notes from a French perspective

By Ahearne Jeremy  

International Journal of Cultural Policy, Vol. 12, Iss. 1, 2006-03 ,pp. : 1-15

Routledge Ltd

Access to resources Recommend Favorite

The Realist Imperative

By  

The International Journal of Environmental, Cultural, Economic, and Social Sustainability: Annual Review, Vol. 2, Iss. 5, 2007-01 ,pp. : 1-8

Common Ground Publishing

Access to resources Recommend Favorite

Collaborateur versus Abstentioniste (Tu'ờng versus Trị): a political polemic in poetic dialogue during the French acquisition of southern Việt-Nam1

By  

Bulletin of the School of Oriental and African Studies, Vol. 49, Iss. 2, 1986-06 ,pp. : 321-363

Cambridge University Press

Access to resources Recommend Favorite