Disassembling the »SAN DOMINICK«. Sovereignty, the Slave Ship, and Partisanship in Herman Melville's Benito Cereno

ISSN： 1869-1366

Source： Zeitschrift für Medien- und Kulturforschung, Vol.2014, Iss.1, 2014-05, pp. : 135-150

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

Alexander Gordon Melville (1819–1901): the Dodo, Raphus cucullatus (L., 1758) and the genesis of a book

Archives of Natural History, Vol. 29, Iss. 1, 2002-02 ,pp. : 109-118

Edinburgh University Press

Access to resources Recommend Favorite

The Brooks Slave Ship Icon: A 'Universal Symbol'?

By Francis Jacqueline

Slavery & Abolition, Vol. 30, Iss. 2, 2009-06 ,pp. : 327-338

Routledge Ltd

Access to resources Recommend Favorite

'Circular Talk': The Social City and Atlantic Slave Routes in S.I. Martin's Incomparable World

By Kamali Leila

New Formations, Vol. 55, Iss. 1, 2005-01 ,pp. : 142-158

Lawrence and Wishart

Access to resources Recommend Favorite

Visual Culture and Fictive Technique in Frederick Douglass's The Heroic Slave

By Sweeney Fionnghuala

Slavery & Abolition, Vol. 33, Iss. 2, 2012-06 ,pp. : 305-320

Routledge Ltd

Access to resources Recommend Favorite

'A Limited Sort of Property': History, Memory and the Slave Ship Zong

By Rupprecht Anita

Slavery & Abolition, Vol. 29, Iss. 2, 2008-01 ,pp. : 265-277

Routledge Ltd

Access to resources Recommend Favorite