On the Limits of Genre: Some Nineteenth-Century Barcaroles

By Edgecombe Rodney Stenning  

Nineteenth Century Music, Vol. 24, Iss. 3, 2001-03 ,pp. : 252-267

University Of Chicago Press

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Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory

By Nolan Catherine  

Music Theory Spectrum, Vol. 25, Iss. 2, 2003-10 ,pp. : 205-241

University Of Chicago Press

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Passing—and Failing—in Late-Nineteenth-Century Russia; or Why We Should Care about the Cuts in Tchaikovsky's Violin Concerto

By Knapp Raymond  

Nineteenth Century Music, Vol. 26, Iss. 3, 2003-04 ,pp. : 195-234

University Of Chicago Press

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Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century

By Webster James  

Nineteenth Century Music, Vol. 25, Iss. 2-3, 2001-10 ,pp. : 108-126

University Of Chicago Press

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Edwardian Perspectives on Nineteenth-Century Music in E. M. Forster's A Room with a View

By Fillion Michelle  

Nineteenth Century Music, Vol. 25, Iss. 2-3, 2001-10 ,pp. : 266-295

University Of Chicago Press

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