Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory

By Nolan Catherine  

Music Theory Spectrum, Vol. 25, Iss. 2, 2003-10 ,pp. : 205-241

University Of Chicago Press

Access to resources Recommend Favorite

The Honnête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music

By Fader Don  

The Journal of Musicology, Vol. 20, Iss. 1, 2003-10 ,pp. : 3-44

University Of Chicago Press

Access to resources Recommend Favorite

Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century

By Webster James  

Nineteenth Century Music, Vol. 25, Iss. 2-3, 2001-10 ,pp. : 108-126

University Of Chicago Press

Access to resources Recommend Favorite

Edwardian Perspectives on Nineteenth-Century Music in E. M. Forster's A Room with a View

By Fillion Michelle  

Nineteenth Century Music, Vol. 25, Iss. 2-3, 2001-10 ,pp. : 266-295

University Of Chicago Press

Access to resources Recommend Favorite

Embodying Music: Matching Music and Dance in Memory

By Mitchell Robert W.   Gallaher Matthew C.  

Music Perception, Vol. 19, Iss. 1, 2001-10 ,pp. : 65-85

University Of Chicago Press

Access to resources Recommend Favorite