Which Fiddler Calls the Tune? The Playboy Riots and the Politics of Nationalist Theatre Spectatorship

Publisher： Cambridge University Press

E-ISSN： 1475-4533|39|2|39-52

ISSN： 0040-5574

Source： Theatre Survey, Vol.39, Iss.2, 1998-11, pp. : 39-52

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

The Playboy before the Riots

By  

Theatre Research International, Vol. 1, Iss. 1, 1975-10 ,pp. : 29-37

Cambridge University Press

Access to resources Recommend Favorite

Between the frames: youth spectatorship and theatre as curated, `unruly' pedagogical space

By Gallagher Kathleen   Wessels Anne  

Research in Drama Education, Vol. 18, Iss. 1, 2013-02 ,pp. : 25-43

Routledge Ltd

Access to resources Recommend Favorite

Spectatorship that Hurts: Socìetas Raffaello Sanzio as Meta-affective Theatre of Memory

By  

Theatre Research International, Vol. 37, Iss. 3, 2012-09 ,pp. : 205-220

Cambridge University Press

Access to resources Recommend Favorite

Integration of culture, culture as integration: The praxis and politics of multicultural theatre and drama

By Wittrock Hanna  

Applied Theatre Research, Vol. 4, Iss. 2, 2016-07 ,pp. : 117-135

Intellect Books

Access to resources Recommend Favorite

Performance and Politics in Process: Practices of Representation in South African Theatre1

By  

Theatre Survey, Vol. 33, Iss. 2, 1992-11 ,pp. : 188-210

Cambridge University Press

Access to resources Recommend Favorite