Transience and Connection in Robert Lepage's The Blue Dragon: China in the Space of Flows

E-ISSN： 1474-0672|37|2|134-147

ISSN： 0307-8833

Source： Theatre Research International, Vol.37, Iss.2, 2012-05, pp. : 134-147

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Tourism, The Festival Marketplace and Robert Lepage's The Seven Streams of the River Ota

By Fricker Karen

Contemporary Theatre Review, Vol. 13, Iss. 4, 2003-11 ,pp. : 79-93

Routledge Ltd

Access to resources Recommend Favorite

The Japanese-Garden Aesthetics of Robert Lepage: Shukukei, Mitate, and Fusuma-e in Seven Streams of the River Ota and Other Works

Theatre Research International, Vol. 38, Iss. 3, 2013-08 ,pp. : 196-213

Cambridge University Press

Access to resources Recommend Favorite

From LeCompte to Lepage: Student performer engagement with intermedial practice

By Crossley Mark

International Journal of Performance Arts & Digital Media, Vol. 8, Iss. 2, 2012-09 ,pp. : 171-188

Intellect Books

Access to resources Recommend Favorite

The Apprenticeship of Robert Edmond Jones

Theatre Survey, Vol. 29, Iss. 2, 1988-11 ,pp. : 193-212

Cambridge University Press

Access to resources Recommend Favorite

Homage to Robert Aron, 1898—1975

Theatre Research International, Vol. 2, Iss. 2, 1977-02 ,pp. : 131-139

Cambridge University Press

Access to resources Recommend Favorite