From princely service to the open market: Singers of Italian opera and their patrons, 1600–1850

Publisher： Cambridge University Press

E-ISSN： 1474-0621|1|1|1-32

ISSN： 0954-5867

Source： Cambridge Opera Journal, Vol.1, Iss.1, 1989-03, pp. : 1-32

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Singer-Machines: Describing Italian Singers, 18001850

By Frigau Manning Cline  

Opera Quarterly, Vol. 28, Iss. 3-4, 2012-12 ,pp. : 230-258

Oxford University Press

Access to resources Recommend Favorite

Some difficulties in the historiography of Italian opera

By  

Cambridge Opera Journal, Vol. 10, Iss. 1, 1998-03 ,pp. : 3-13

Cambridge University Press

Access to resources Recommend Favorite

Pimmalione: Rousseau and the Melodramatisation of Italian Opera

By  

Cambridge Opera Journal, Vol. 26, Iss. 1, 2014-02 ,pp. : 1-39

Cambridge University Press

Access to resources Recommend Favorite

‘Stage music’ in early nineteenth-century Italian opera

By  

Cambridge Opera Journal, Vol. 2, Iss. 1, 1990-03 ,pp. : 29-39

Cambridge University Press

Access to resources Recommend Favorite

Senesino’s Negotiations with the Royal Academy of Music: Further Insight into the Riva–Bernardi Correspondence and the Role of Singers in the Practice of Eighteenth-Century Opera

By  

Cambridge Opera Journal, Vol. 27, Iss. 3, 2015-11 ,pp. : 189-213

Cambridge University Press

Access to resources Recommend Favorite