

Publisher: Cambridge University Press
E-ISSN: 1537-5943|22|4|843-869
ISSN: 0003-0554
Source: American Political Science Review, Vol.22, Iss.4, 1928-11, pp. : 843-869
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Abstract
Attentive observers of conditions in Italy are well aware that Fascism is an exceedingly complicated phenomenon; that what seems to be simply a dictatorship of the upper classes in reality presents many surprising and apparently contradictory features. Fascism, indeed, has been likened to a great river into which numerous tributaries have poured their waters. Among these tributaries are such movements as Nationalism, Futurism, and Syndicalism. Besides, Fascism is more than a practical experiment in government. It has developed a theory and a philosophy, and, one may even add, an art, a mysticism, and a religion. “Fascism,” declares Mussolini, “has a doctrine, or, if you will, a philosophy with regard to all the questions which beset the human mind today.” And again he remarks, “We play upon every chord of the lyre, from violence to religion, from art to politics.”
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