Bringing Bodies Back In: For a Phenomenological and Psychoanalytic Film Criticism of Embodied Cultural Identity

E-ISSN： 1466-4615|15|1|1-12

ISSN： 1466-4615

Source： Film-Philosophy, Vol.15, Iss.1, 2011-02, pp. : 1-12

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

Romantic Film-Philosophy and the Notion of Philosophical Film Criticism

By Wittusen Cato

Film-Philosophy, Vol. 20, Iss. 2-3, 2016-10 ,pp. : 198-218

Edinburgh University Press

Access to resources Recommend Favorite

Embodied Visual Meaning: Image Schemas in Film

By Coëgnarts Maarten Kravanja Peter

Projections, Vol. 6, Iss. 2, 2012-12 ,pp. : 84-101

Berghahn Journals

Access to resources Recommend Favorite

Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild

By Walker Alison

The New Soundtrack, Vol. 8, Iss. 2, 2018-09 ,pp. : 119-134

Edinburgh University Press

Access to resources Recommend Favorite

The Routledge Companion to Philosophy and Film Moving Viewers: American Film and the Spectator's Experience Embodied Visions: Evolution, Emotion, Culture, and Film

By Sinnerbrink Robert

Projections, Vol. 4, Iss. 1, 2010-06 ,pp. : 83-98

Berghahn Journals

Access to resources Recommend Favorite

Derridean Blackmail in The Big Sleep : Allegorizing the Unfixable Mirages of Photography, Film and Criticism

By Morris Christopher D.

Film-Philosophy, Vol. 19, Iss. 1, 2015-12 ,pp. : 304-324

Edinburgh University Press

Access to resources Recommend Favorite