Romantic Portraits and Contemporary Audiences: Report from an Exhibition on the History of Emotions

E-ISSN： 2045-2918|7|2|145-166

ISSN： 2045-2918

Source： Cultural History, Vol.7, Iss.2, 2018-10, pp. : 145-166

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Abstract

This article combines two issues: the actual emotional landscape of Danish portraiture from the first half of the nineteenth century and twenty-first-century audiences' response to these portraits. My research is based on written sources, art historical methods of the interpretation of visual material, and surveys among the audiences of the Hirschsprung Collection in Copenhagen, where the exhibition Keeping up Appearances. Portraits and emotions in the Golden Age takes place in the autumn of 2017. The exhibition is based on previous research that I have conducted into emotion in Danish portraiture and will be an occasion to reevaluate earlier surveys in order to present new conclusions in this article. The article explores the psychological and emotional circumstances that surround examples of some of the finest Danish portraits of the 1800s and how the modern individual can attain a more profound understanding of these images and the range of emotions they embody. The portraits' historical public had no doubts as to the deep and complex emotion embedded in them, but today they often prove more difficult to interpret since a prior understanding of the given period is required in order to fully grasp the people depicted and the different things they may have felt. When audiences see a portrait in the twenty-first century they are often compelled to interpret it in the same way that they would interpret living people. This creates a set of challenges in our relation to and understanding of a person in a portrait through a given time and space. I will use Lisa Feldman Barrett's research on emotional communication in my analyses of the encounter between the portrait and the modern viewer.