On the Origins of Abstraction: Seurat and the Screening of History

Publisher： John Wiley & Sons Inc

E-ISSN： 1467-8365|41|1|72-103

ISSN： 0141-6790

Source： Art History, Vol.41, Iss.1, 2018-02, pp. : 72-103

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Related content

Similarity Perception ↔ Categorization ↔ Cue Abstraction

By Deliège Irène  

Music Perception, Vol. 18, Iss. 3, 2001-02 ,pp. : 233-243

University Of Chicago Press

Access to resources Recommend Favorite

Melodic Cue Abstraction, Similarity, and Category Formation: A Formal Model

By Cambouropoulos Emilios  

Music Perception, Vol. 18, Iss. 3, 2001-02 ,pp. : 347-370

University Of Chicago Press

Access to resources Recommend Favorite

The Origins of Music

By  

Music Perception, Vol. 18, Iss. 4, 2001-06 ,pp. : 513-521

University Of Chicago Press

Access to resources Recommend Favorite

'Telling decoratively': Ben Nicholson's 'white reliefs' and Debates around Abstraction and Modernism in the Home in the Late 1920s and 1930s

By Stephenson Andrew  

Visual Culture in Britain, Vol. 9, Iss. 2, 2008-0 ,pp. : 43-60

Manchester University Press

Access to resources Recommend Favorite

Beauty, Genius, Epigenesis: The Kantian Origins of Contemporary Architecture

By KELLER SEAN  

Journal of Architectural Education, Vol. 65, Iss. 2, 2012-03 ,pp. : 42-51

Blackwell Publishing

Access to resources Recommend Favorite