Author： Kronland-Martinet Richard
Publisher： Springer Publishing Company
ISSN： 0951-5666
Source： AI & SOCIETY, Vol.27, Iss.2, 2012-05, pp. : 245-255
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Abstract
Methods of sonification based on the design and control of sound synthesis is presented in this paper. The semiotics of isolated sounds was evidenced by performing fundamental studies using a combined acoustical and brain imaging (event-related potentials) approach. The perceptual cues (which are known as invariants) responsible for the evocations elicited by the sounds generated by impacts, moving sound sources, dynamic events and vehicles (car-door closing and car engine noise) were then identified based on physical and perceptual considerations. Lastly, some examples of the high-level control of a synthesis process simulating immersive 3-D auditory scenes, interacting objects and evoked dynamics are presented.
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