Remapping Ozu's Tokyo? The Interplay between History and Memory in Hou Hsiao-Hsien's Café Lumière

By Wu I-fen  

Asian Cinema, Vol. 19, Iss. 1, 2008-03 ,pp. : 172-181

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Art Film Is Immortal and National Film Lives Forever Lecture presented at "1996 Global Youth Exchange Program," Tokyo, Japan

By Fei Xie   ling Chen Xiao  

Asian Cinema, Vol. 10, Iss. 1, 1998-09 ,pp. : 86-92

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Change, Horizon, and Event in Ozu's Late Spring (1949)

By Parks Tyler  

Film-Philosophy, Vol. 20, Iss. 2-3, 2016-10 ,pp. : 283-302

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The ephemeral as transcultural aesthetic: A contextualization of the early films of Ozu Yasujirō

By Standish Isolde  

Journal of Japanese & Korean Cinema, Vol. 4, Iss. 1, 2012-11 ,pp. : 3-14

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I was born middle class, but …: Ozu Yasujiro’s shōshimin eiga in the early 1930s

By Joo Woojeong  

Journal of Japanese & Korean Cinema, Vol. 4, Iss. 2, 2012-12 ,pp. : 103-118

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