Author: Ellis Sarah Reichardt
Publisher: Oxford University Press
ISSN: 1477-4631
Source: Music and Letters, Vol.93, Iss.2, 2012-05, pp. : 267-269
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
Historical Keyboard Music: Sources, Contexts, and Performance
Eighteenth-Century Music, Vol. 9, Iss. 1, 2012-01 ,pp. :
THE ‘HAUNTED’ SHOSTAKOVICH AND THE CO-PRESENCE OF BACH
Tempo, Vol. 63, Iss. 249, 2009-07 ,pp. :
SOME FREQUENTLY-ASKED QUESTIONS ABOUT SHOSTAKOVICH'S ‘ORANGO’
Tempo, Vol. 64, Iss. 254, 2010-10 ,pp. :
London, Royal Festival Hall: Shostakovich: Prologue to ‘Orango’
Tempo, Vol. 67, Iss. 266, 2013-10 ,pp. :
St Petersburg, Shostakovich Hall: Gabriel Prokofiev's Cello Concerto
Tempo, Vol. 67, Iss. 266, 2013-10 ,pp. :