Travels with a camera: speed and embodiment in early French avant-garde film

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Studies in French Cinema, Vol. 13, Iss. 1, 2013-03 ,pp. : 17-31

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The first films of Igor' Savchenko and the generational change of the Soviet avant-garde at the end of the 1920s: Savchenko, Medvedkin, Kalatozov

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The avant-garde and the unAmerican: Experimental theatre and drama from Europe to the United States after World War II

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The Art of Attention in Documentary Film and Werner Herzog

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Film-Philosophy, Vol. 22, Iss. 1, 2018-02 ,pp. : 60-75

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Detachable transnational film style and the global-local dialectic in Mani Ratnam's Indian adaptations of Amores perros

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