The Trials of Individuation in Late Modernity: Exploring Subject Formation in Antonioni's Red Desert

By Henderson Christine  

Film-Philosophy, Vol. 15, Iss. 1, 2011-02 ,pp. : 161-178

Edinburgh University Press

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A Blueprint for (Im)possible Places: Narrative Crisis in Antonioni's L'Eclisse (1962)

By Lo Dennis  

Film-Philosophy, Vol. 19, Iss. 1, 2015-12 ,pp. : 146-171

Edinburgh University Press

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Another Look at Heideggerian Cinema: Cinematic Excess, Antonioni's Dead Time and the Film-Photographic Image as Copy

By Josiah Mosely Michael  

Film-Philosophy, Vol. 22, Iss. 3, 2018-10 ,pp. : 364-383

Edinburgh University Press

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The ecstasy of gold: Love, greed and homosociality in the Dollars trilogy

By Hunter Russ  

Studies in European Cinema, Vol. 9, Iss. 1, 2012-11 ,pp. : 69-78

Intellect Books

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Roy Andersson's Living Trilogy and Jean-Luc Nancy's Evidence of Cinema

By Hanke Bob  

Film-Philosophy, Vol. 23, Iss. 1, 2019-02 ,pp. : 72-92

Edinburgh University Press

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