![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Author: Hunter Russ
Publisher: Intellect Books
ISSN: 2040-0594
Source: Studies in European Cinema, Vol.9, Iss.1, 2012-11, pp. : 69-78
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
By King Miriam
Total Theatre Magazine, Vol. 19, Iss. 3, 2007-09 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
"Sick Eros": The Sexual Politics of Antonioni's Trilogy
By Tomasulo Frank P. McKahan Jason Grant
Projections, Vol. 3, Iss. 1, 2009-06 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Roy Andersson's Living Trilogy and Jean-Luc Nancy's Evidence of Cinema
By Hanke Bob
Film-Philosophy, Vol. 23, Iss. 1, 2019-02 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
What is this Thing Called, Love?
Total Theatre Magazine, Vol. 17, Iss. 1, 2005-03 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Total Theatre Magazine, Vol. 22, Iss. 3, 2010-09 ,pp. :