Black or White? Michael Jackson and the Idea of Crossover

ISSN： 0300-7766

Source： Popular Music & Society, Vol.35, Iss.2, 2012-05, pp. : 169-185

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

“They Don't Care About Us”: Michael Jackson's Black Nationalism

By Rossiter Brian

Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. : 203-222

Routledge Ltd

Access to resources Recommend Favorite

The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough”

By Danielsen Anne

Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. : 151-168

Routledge Ltd

Access to resources Recommend Favorite

“He's Sending His People Messages out of His Pain”: Michael Jackson and the Black Community

By Broertjes Andrew

Popular Music & Society, Vol. 36, Iss. 5, 2013-12 ,pp. : 677-698

Routledge Ltd

Access to resources Recommend Favorite

Michael Jackson's Queer Musical Belongings

By Fast Susan

Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. : 281-300

Routledge Ltd

Access to resources Recommend Favorite

Difference that Exceeded Understanding: Remembering Michael Jackson (1958-2009)

By Fast Susan

Popular Music & Society, Vol. 33, Iss. 2, 2010-05 ,pp. : 259-266

Routledge Ltd

Access to resources Recommend Favorite