![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Author: Fast Susan
Publisher: Routledge Ltd
ISSN: 0300-7766
Source: Popular Music & Society, Vol.35, Iss.2, 2012-05, pp. : 281-300
Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.
Abstract
Related content
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Difference that Exceeded Understanding: Remembering Michael Jackson (1958-2009)
By Fast Susan
Popular Music & Society, Vol. 33, Iss. 2, 2010-05 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Black or White? Michael Jackson and the Idea of Crossover
Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Michael Jackson and the Expressive Power of Voice-produced Sound
Popular Music & Society, Vol. 35, Iss. 2, 2012-05 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
Metaphor and musical thought by Michael Spitzer
By Muller Linda
Journal of the Musical Arts in Africa, Vol. 3, Iss. 1, 2006-01 ,pp. :
![](/images/ico/ico_close.png)
![](/images/ico/ico5.png)
The Musical Work: Reality or Invention? Michael Talbot (ed.)
Journal of New Music Research, Vol. 31, Iss. 4, 2002-12 ,pp. :