Related content

Andrew Spicer, A. T. McKenna and Christopher Meir (eds), Beyond the Bottom Line: The Producer in Film and Television Studies (New York and London: Bloomsbury, 2014), pp. xiv + 289 + 25 illus., ISBN 978-1-411-7236-5 (hb), £70.

By  

Journal of British Cinema and Television, Vol. 12, Iss. 3, 2015-07 ,pp. : 422-426

Edinburgh University Press

Access to resources Recommend Favorite

Stella Hockenhull, Aesthetics and Neo-Romanticism in Film: Landscapes in Contemporary British Cinema (London and New York: I. B. Tauris, 2014), pp. 288 14 illus., ISBN 9781848859012 (hb), 58.

By Newland Paul  

Journal of British Cinema and Television, Vol. 11, Iss. 4, 2014-10 ,pp. : 559-563

Edinburgh University Press

Access to resources Recommend Favorite

Laurie N. Ede, British Film Design: A History (London: I. B. Tauris, 2010), pp. xii + 248, 10 illus., ISBN 978 84885 108 5, £15.99.

By Spicer Andrew  

Journal of British Cinema and Television, Vol. 8, Iss. 1, 2011-04 ,pp. : 137-139

Edinburgh University Press

Access to resources Recommend Favorite

James Chapman, Inside the Tardis: The Worlds of Doctor Who (London: I. B. Tauris, 2006), pp. viii +262, ISBN 1 84511 163 X (pb), £12.99. Kim Newman, Doctor Who (London: British Film Institute, 2005), pp. vi +138, 49 illus., ISBN 1 84457 090 8 (pb), £12.

By Broughton Mark  

Journal of British Cinema and Television, Vol. 5, Iss. 1, 2008-05 ,pp. : 206-210

Edinburgh University Press

Access to resources Recommend Favorite

Maggie Brown, A Licence to be Different: The Story of Channel 4 (London: British Film Institute, 2007), pp. xii + 356, 16 illus., ISBN 978 1 84457 205 2 (pb), £16.00. Dorothy Hobson, Channel 4: The Early Years and the Jeremy Isaacs Legacy (London: I. B. Tauris, 2008), pp. xii + 217, ISBN 978 1 84511 613 2 (pb), £15.99.

By Fanth Christine  

Journal of British Cinema and Television, Vol. 5, Iss. 2, 2008-11 ,pp. : 414-417

Edinburgh University Press

Access to resources Recommend Favorite