Expression, Truth and Authenticity: On Adornos Theory of Music and Musical Performance . Ed. by Mrio Vieira de Carvalho.

Author： Baragwanath Nicholas

Publisher： Oxford University Press

ISSN： 1477-4631

Source： Music and Letters, Vol.93, Iss.2, 2012-05, pp. : 264-267

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

The semiotics of expression in musical performance

By Clarke Eric

Contemporary Music Review, Vol. 17, Iss. 2, 1998-01 ,pp. : 87-102

Routledge Ltd

Access to resources Recommend Favorite

Field Theory and the Play of Musical Performance

British Journal of Music Education, Vol. 12, Iss. 3, 1995-11 ,pp. : 273-283

Cambridge University Press

Access to resources Recommend Favorite

Grounded Theory as a methodology to design teaching strategies for historically informed musical performance

By Mateos-Moreno Daniel

Music Education Research, Vol. 15, Iss. 2, 2013-06 ,pp. : 231-248

Routledge Ltd

Access to resources Recommend Favorite

Investigating Musical Performance Anxiety among Music College Singing Students: a quantitative analysis

By KOKOTSAKI DIMITRA DAVIDSON JANE W.

Music Education Research, Vol. 5, Iss. 1, 2003-01 ,pp. : 45-59

Routledge Ltd

Access to resources Recommend Favorite

Gender and Authenticity in Japanese Popular Music: 1980–2000

By Cogan Brian Cogan Gina

Popular Music & Society, Vol. 29, Iss. 1, 2006-02 ,pp. : 69-90

Routledge Ltd

Access to resources Recommend Favorite