Landscape, Allegory, and Historical Trauma in Postwar Japanese Cinema: Recapitulating Existential Horror in Onibaba (1964) and Woman in the Dunes (1964)

Author: Kumar Akshaya  

Publisher: Intellect Books

ISSN: 2049-6710

Source: Asian Cinema, Vol.22, Iss.2, 2012-02, pp. : 364-380

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Abstract