'Adieu Madras, Adieu Foulard': Musical Origins and the Doudou's Colonial Plaint

ISSN： 1741-1912

Source： Ethnomusicology Forum, Vol.16, Iss.1, 2007-06, pp. : 19-43

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

BONJOUR ET ADIEU

Tempo, Vol. 68, Iss. 270, 2014-09 ,pp. : 71-71

Cambridge University Press

Access to resources Recommend Favorite

On Computational Models of the Evolution of Music: From the Origins of Musical Taste to the Emergence of Grammars

By Miranda Eduardo Reck Kirby Simon Todd Peter

Contemporary Music Review, Vol. 22, Iss. 3, 2003-09 ,pp. : 91-111

Routledge Ltd

Access to resources Recommend Favorite

Musical acculturation through primary school activities during Japanese colonial rule of Korea (1910–1945)

British Journal of Music Education, Vol. 31, Iss. 3, 2014-11 ,pp. : 265-280

Cambridge University Press

Access to resources Recommend Favorite

Musical Criticism and Musical Development

British Journal of Music Education, Vol. 8, Iss. 2, 1991-07 ,pp. : 139-148

Cambridge University Press

Access to resources Recommend Favorite

Musical storytelling

By Appleton Jon

Contemporary Music Review, Vol. 15, Iss. 1, 1996-01 ,pp. : 67-71

Routledge Ltd

Access to resources Recommend Favorite