Choreographing theory: an analysis of Edouard Lock's Amelia (2002) questioning the limits of feminist and poststructuralist perspectives

Author： Ireland Ruby

Publisher： Routledge Ltd

ISSN： 1470-1111

Source： Research in Dance Education, Vol.10, Iss.1, 2009-03, pp. : 49-61

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Choreographing Hypermasculinity in Egypt, Iran, and Uzbekistan

By Shay Anthony

Dance Chronicle, Vol. 31, Iss. 2, 2008-05 ,pp. : 211-238

Routledge Ltd

Access to resources Recommend Favorite

Choreographing the frame: a critical investigation into how dance for the camera extends the conceptual and artistic boundaries of dance 1

By Preston Hilary

Research in Dance Education, Vol. 7, Iss. 1, 2006-04 ,pp. : 75-87

Routledge Ltd

Access to resources Recommend Favorite

Choreographing Identities beyond Boundaries: La Guiablesse and Ruth Page's Excursions into World Dance (1926-1934)

By Meglin Joellen

Dance Chronicle, Vol. 30, Iss. 3, 2007-09 ,pp. : 439-469

Routledge Ltd

Access to resources Recommend Favorite

Feminist Dance Criticism and Ballet

By Croft Clare

Dance Chronicle, Vol. 37, Iss. 2, 2014-05 ,pp. : 195-217

Routledge Ltd

Access to resources Recommend Favorite

Perspectives on Pina

By Bridge Megan

Dance Chronicle, Vol. 36, Iss. 2, 2013-05 ,pp. : 257-261

Routledge Ltd

Access to resources Recommend Favorite