Woolloomooloo or Wapping? Critical responses to The Sentimental Bloke in 1920s London and the normalization of the inner-city working class

Author： Morgan Stephen  

Publisher： Intellect Books

ISSN： 1750-3183

Source： Studies in Australasian Cinema, Vol.5, Iss.3, 2012-03, pp. : 321-332

Disclaimer: Any content in publications that violate the sovereignty, the constitution or regulations of the PRC is not accepted or approved by CNPIEC.

Previous Menu Next

Abstract

Related content

Worker, peasant, soldier ... middle class? Class figures in Jia Zhangke’s 24 City

By hultz Corey Kai Nelson  

Asian Cinema, Vol. 26, Iss. 1, 2015-04 ,pp. : 43-59

Intellect Books

Access to resources Recommend Favorite

`An unpretentious picture'? - Igor' Savchenko's A Chance Encounter

By Graffy Julian  

Studies in Russian & Soviet Cinema, Vol. 6, Iss. 3, 2012-12 ,pp. : 301-318

Intellect Books

Access to resources Recommend Favorite

The delirious vision: the vogue for the hand-held camera in Soviet cinema of the 1920s

By Cavendish Phil  

Studies in Russian & Soviet Cinema, Vol. 7, Iss. 1, 2013-03 ,pp. : 5-24

Intellect Books

Access to resources Recommend Favorite

Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century

By Peters Jens  

Studies in Theatre & Performance, Vol. 32, Iss. 3, 2012-11 ,pp. : 305-316

Intellect Books

Access to resources Recommend Favorite

Every colour red? Colour in the films of the Cultural Revolution model stage works

By Berry Chris  

Journal of Chinese Cinemas, Vol. 6, Iss. 3, 2012-11 ,pp. : 233-246

Intellect Books

Access to resources Recommend Favorite